100
years
100
arts
mission
The Armenian Genocide has left an irreversible trace in our history and in our spirits and the reflection of grief, yearning, hope is woven in chain in the Armenian fine arts. When human languages is powerless to express what happened in 1915, the language of art does have the power to do so. Different generations of Armenian famous artists have continuously addressed the great iniquity and the artworks dedicated to the Armenian Genocide have always had their unique places in their art. Armenian artists greatly contributed to the global acknowledgement of the Armenian Genocide thought their art. Many of these works have been exhibited to public but even more of them are unknown till today.
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100 years
CULTURAL GENOCIDE
Acts and measures undertaken to destroy the culture of a nation or an ethnic group is called "cultural genocide". Many facts prove that simultaneous with the massacres and deportation of Armenians in the Ottoman Empire, the government of the Young Turks masterminded and implemented systematic destruction of the material testimonies of the Armenian civilization.
THE ARMENIAN GENOCIDE
A genocide is the organized extermination of a nation aiming to put an end to their collective existence. The extermination of Armenians in the Ottoman Empire and the surrounding regions during 1915-1923 is called the Armenian Genocide. Those massacres were masterminded and perpetrated by the government of Young Turks and were later finalized by the Kemalist government.
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100 arts
The anguish of the Armenian Genocide, which is being reborn with every Armenian, has its own reflection in the Armenian fine arts. Many Armenian well known artists have created artworks both in Armenia and in Diaspora that are the speaking witness of the Armenian great pain, loss and yearning. These artworks are also ode to the Armenian viable genes, will power of giving birth, living and creation. Genocide is the type of crime that does have any expiration date. Human speech is sometimes powerless in expressing those things that are possible to express only through art. These 100 artworks will continuously tell the world about the unhealed wound of the Armenian, millions of innocent victims, demolished heartlands, bowed churches, lost homeland and infinite belief. The power of art is undeniable and artworks are eternal.
Artist:
Philip Hagopian
Title:
If Sand Could Speak, 2011-2012
Location:
Mane Gallery, Yerevan
Artist: Philip Hagopian
Title: If Sand Could Speak, 2011-2012
Location: Mane Gallery, Yerevan
Philip Hagopian: "If sand could speak what would it say? In the silent empty deserts of Der- Zor the sand holds a testimony that whole nations denies. The bones of my fathers, cousins, uncles, aunts, friends, and neighbors are crumbling there. The days of their rich lives, their laughter and love are whispering from those sands. The shock and torment of little children, families of a entire nation are screaming from witnessing these sands and now the world will hear them."
Artist:
Tigran Tsitoghdzyan
Title:
Armenian Mirror, 2013
Location:
Private Collection
Artist: Tigran Tsitoghdzyan
Title: Armenian Mirror, 2013
Location: Private Collection
Tigran Tsitoghdzyan: "This painting is the mirror of Armenian society."
Artist:
Sahak Poghosyan
Title:
Silecne of My Grandmother's Eyes, 2015
Location:
Artist's Collection
Artist: Sahak Poghosyan
Title: Silecne of My Grandmother's Eyes, 2015
Location: Artist's Collection
Sahak Poghosyan: "The project Silence of my grandmother's eyes has been a silent monologue for nearly 50 years... my paternal grandmother was the first person, who connected me with the surrounding world... in my memory I still carry the odor of my childhood, which I scented sleeping in my grandmother's embrace... it was a story with hazy colors, which I was always keen to depict…And now , presenting it, the silent sorrow of her blue eyes recovers in my memory, yelling out the hellish path of the Genocide… Surviving a real hell she never told about it ... she did not tell, but with the right of a survival she transmitted it to the ones who live ... carrying as a relic a patch of the blue sky of her lost homeland in her eyes ..."

Artist:
Mkrtich Sedrakyan
Title:
Year 1915, 1960
Location:
National Gallery of Armenian, Yerevan
Artist: Mkrtich Sedrakyan
Title: Year 1915, 1960
Location: National Gallery of Armenian, Yerevan
The third stage of the planned extermination of the Armenian nation by Ottoman empire is expressed in one composition in Mkrtich Sedrakian’s "Year 1915" canvas. The first stage was enrollment of the Armenian men to Ottoman army, then disarmament and slaughter by the Turkish military associates. The second stage was the extermination of the Armenian intelligentsia and the third stage was the massacre of the women, children, elderly people by deporting them to the Syrian desert.

In the 60-ies Soviet Armenia the Armenian artists were prohibited to depict on theme of the Armenian Genocide. And only, in 1965, when the Genocide monuments was built in Tsitsernakaberd the ban barrier disappeared.
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share your arts
Here, you can upload your artwork dedicated to the Armenian Genocide. The uploaded artwork will be published in the
SHARED ARTS section.
Note: the site carries no responsibility over the copyright genuinity issues in the SHARED ARTS section. But still if you come across possible violation of copyrights, please, do not hesitate to contact us via [email protected] email address.
shared arts
Artist:
Khoren Der Harootian
Artist: Khoren Der Harootian
Ani (bronze), 1963
Artist:
Alexander Sadoyan
Artist: Alexander Sadoyan
Immigration
Artist:
Alexander Sadoyan
Artist: Alexander Sadoyan
Untitled
Artist:
Levon Fljyan
Artist: Levon Fljyan
Our Ancestors-2 (from Pixel 2 project), 2012
Artist:
Kaloust Guedel
Artist: Kaloust Guedel
All Men are Created Alike, 2003
Artist:
Zareh
Artist: Zareh
Turkish Soup Made with Armenian Bones, 1998
Artist:
Zareh
Artist: Zareh
Artist:
Arthur Lazaryan
Artist: Arthur Lazaryan
Never Again
Artist:
Adrineh Grigorian
Artist: Adrineh Grigorian
Family Portrait, 2015
Artist:
Arto Tchakmakchian
Artist: Arto Tchakmakchian
Three Three Fingers, 1965
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