Stepan Andranikyan depicted The western Armenian poet Siamanto as symbolically and romantically as the poetry of the poet.

The poet of rich imagination and subtle senses sings for bloody destiny of the sons of the country creating the atmosphere of startling moods. But Siamanto’s creations along with the tragic images, has optimistic content as well. Describing the tragic horrors of the Armenian nation subjected to atrocities by the barbaric Turks, Siamanto thickened the appeal to the son of Armenia for avenge and liberation struggle, bringing hope for life and existence, dignity and justice, light and beauty. Siamanto’s creation is a national phenomenon, but thanks to that it has a universal content. He sang gracefully about the tragedy of little extinguishing nation in the imperialistic world, spreading hatred towards any kind of violence.

In 1915 he was among the group, not far from Ankara in the canyon, Turkish barbarians were violently torturing them with weapons, pickaxes, stones and axes. They say that the next day the Turkish Bashibozuks were walking along the streets of Ankara wearing the national costumes of the Armenian intelligentsia.

Seeroon Yeretzian: "If the Genocide never happened, most likely this would be my family portrait - me, my husband and my son."

In Sarkissian’s landscapes, nature, manifesting itself in the mysterious appearance of runes, elicits in the spectator an irrepressible desire to decipher the imagery. What is presented to us is not a puzzle but rather a miracle, at which we gaze in a trance-like state, losing ourselves in the experience and dissolving our ego.

This is scream of soul, that the artist is trying to turn to the world though the face of the screaming man. "SOS… SOS… Hear, see what is happening, have an eye to see, an ear to hear…"