CULTURAL GENOCIDE
Acts and measures undertaken to destroy the culture of a nation or an ethnic group is called "cultural genocide". Many facts prove that simultaneous with the massacres and deportation of Armenians in the Ottoman Empire, the government of the Young Turks masterminded and implemented systematic destruction of the material testimonies of the Armenian civilization.
THE ARMENIAN GENOCIDE
A genocide is the organized extermination of a nation aiming to put an end to their collective existence. The extermination of Armenians in the Ottoman Empire and the surrounding regions during 1915-1923 is called the Armenian Genocide. Those massacres were masterminded and perpetrated by the government of Young Turks and were later finalized by the Kemalist government.
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The anguish of the Armenian Genocide, which is being reborn with every Armenian, has its own reflection in the Armenian fine arts. Many Armenian well known artists have created artworks both in Armenia and in Diaspora that are the speaking witness of the Armenian great pain, loss and yearning. These artworks are also ode to the Armenian viable genes, will power of giving birth, living and creation. Genocide is the type of crime that does have any expiration date. Human speech is sometimes powerless in expressing those things that are possible to express only through art. These 100 artworks will continuously tell the world about the unhealed wound of the Armenian, millions of innocent victims, demolished heartlands, bowed churches, lost homeland and infinite belief. The power of art is undeniable and artworks are eternal.
Artist:
Sahak Poghosyan
Title:
Silecne of My Grandmother's Eyes, 2015
Location:
Artist's Collection
Artist: Sahak Poghosyan
Title: Silecne of My Grandmother's Eyes, 2015
Location: Artist's Collection
Sahak Poghosyan: "The project Silence of my grandmother's eyes has been a silent monologue for nearly 50 years... my paternal grandmother was the first person, who connected me with the surrounding world... in my memory I still carry the odor of my childhood, which I scented sleeping in my grandmother's embrace... it was a story with hazy colors, which I was always keen to depict…And now , presenting it, the silent sorrow of her blue eyes recovers in my memory, yelling out the hellish path of the Genocide… Surviving a real hell she never told about it ... she did not tell, but with the right of a survival she transmitted it to the ones who live ... carrying as a relic a patch of the blue sky of her lost homeland in her eyes ..."
Artist:
Armen Atayan
Title:
The Saviour Church, 2015
Location:
Artist's Collection
Artist: Armen Atayan
Title: The Saviour Church, 2015
Location: Artist's Collection
The artist depicted the dilapidated church. which has seen so much pain and sufferings, but still standing in Ani’s devastations an impressionistic spirit.
Ani was the 11th capital of the historic Armenia which used to be famous as "the city of thousand and one churches". The city was founded in the 5th century. Later in centuries, Ani has been subjected to invaders attacks.As a result of the Armenian Genocide by the Ottoman Empire, the inhantends were forced to migrate from their fatherland. The Ani’s devastations remained in the hands of Turks, the invaders who later on tried to wrench the Armenian history by their groundless attempts to present Ani as a part of their history country.
Artist:
Eduard Isabekyan
Title:
Western Armenia, 1940
Location:
Artist's Family Collection
Artist: Eduard Isabekyan
Title: Western Armenia, 1940
Location: Artist's Family Collection
Eduard Isabekyan: "Memory is a very important thing. There is no other nation in the world that needs memory more than the Armenian nation. Because there is no other nation in the world that has left its property, its soil, 99% of everything owned to others. If Igdirtsis forget Igdir, Alashkertsis - Alashker, Vanetsis forget Van, Bayazettsis - Bayazets and etc If they forget that the entire nation never forgot where they are from. The Armenian needs our memory, for him to be able to own whatever his has lost, so as always to remember that he has to bring back whatever he has lost."
Artist:
Paul Guiragossian
Title:
Exile, 1970
Location:
National Gallery of Armenian, Yerevan
Artist: Paul Guiragossian
Title: Exile, 1970
Location: National Gallery of Armenian, Yerevan
Pol Kirakosyan reflected the life and sufferings of the Armenians with his juicy palate and subtle sense of colors. "The Migration" in the canvas, where you don’t obviously see the faces of the women and children on the road, but the artists passes the restless, horrified rhythm of the bodies through big touches which makes us feel the pain and sufferings that an Armenian was experiencing on the exile road in 1915.
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share your arts
Here, you can upload your artwork dedicated to the Armenian Genocide. The uploaded artwork will be published in the
SHARED ARTS section.
Note: the site carries no responsibility over the copyright genuinity issues in the SHARED ARTS section. But still if you come across possible violation of copyrights, please, do not hesitate to contact us via info@100years100arts.am email address.
Artist: Adriana Angolian
Live Memory, 1994
Artist: Adriana Angolian
Gold Universe, 2016
Artist:
Khoren Der Harootian
Artist: Khoren Der Harootian
Ani (bronze), 1963
Artist:
Alexander Sadoyan
Artist: Alexander Sadoyan
Immigration
Artist:
Alexander Sadoyan
Artist: Alexander Sadoyan
Untitled
Artist: Levon Fljyan
Our Ancestors-2 (from Pixel 2 project), 2012
Artist: Kaloust Guedel
All Men are Created Alike, 2003
Artist: Zareh
Turkish Soup Made with Armenian Bones, 1998
Artist: Arthur Lazaryan
Never Again
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