Sarkis Hamalbashian: "Since my childhood, as an heir to survivors of the Armenian Genocide, I have heard stories about it and later tried to depict my impressions in my works. Later I realized that those stories were messages that should be passed to future generations through their representation in our works, until the recognition of the Genocide and the fulfillment of justice."

Sahak Poghosyan: "The project Silence of my grandmother's eyes has been a silent monologue for nearly 50 years... my paternal grandmother was the first person, who connected me with the surrounding world... in my memory I still carry the odor of my childhood, which I scented sleeping in my grandmother's embrace... it was a story with hazy colors, which I was always keen to depict…And now , presenting it, the silent sorrow of her blue eyes recovers in my memory, yelling out the hellish path of the Genocide… Surviving a real hell she never told about it ... she did not tell, but with the right of a survival she transmitted it to the ones who live ... carrying as a relic a patch of the blue sky of her lost homeland in her eyes ..."

The Armenians, who survived the Armenian Genocide, were scattered all over the world thus becoming the bases of creation of the huge Armenian Diaspora. The Armenian artists, Khoren Ter-Harootian among them, who survived the Genocide, living, studying, working and almost inhabiting in the diaspora never stopped keeping the connection with his motherland, raising the genetic connection of being Armenian in the arts, ignoring the fact of living far from the motherland.

Kerasun (Giresun) is an ancient harbor city in Turkey where 200 Armenian families used to inhabit before the Genocide. In 1915 the Armenians were subjected to forced displacement from their inhabitants and most of them fell victims of the Genocide. This work is one of those several works created by the artist-sculptor Ter-Harootian, where the horror of death is revealed, The soul and body of the Armenian nation having seen the tribulation.

Krikor Momdjian: "This work is one of the series works I did as homage to Komidas. The composer who was also priest, was interested in the authenticity of the Armenian music. He went into Armenian villages to listen and put into music notes that he heard, as an ethno-musicologist avant la lettre. He became famous in Europe because of his concerts with his big choir. He was captured in Constantinople on 24th of April like the other Armenian intelligentsia by the Ottoman Empire. His manuscripts/music notations were destroyed. He was mistreated but saved by diplomats and was sent to Paris. Komidas lost his senses as consequence put in a psychiatric home. The last 20 years of his life he did not talk to anyone, except to his sister. I wanted to honor him inspiring me with his divine music. In my childhood listening to his music intensely in the cathedral of the Armenian cloister - seminary of Jerusalem, where I was a seminarian for three years. He is still my source of inspiration, bringing me to the source of the Armenian soul. His music evokes my admiration for the beauty of the nature and I feel the Divine Light reflected through his music and songs."