Karen Aghamyan: "The sons of the nation carry the Armenian culture, history and identity of thousand years wherever they go. The survivors of the Armenian Genocide in 1915 were displaced carrying their faith, hope and culture of the past."

In Sarkissian’s landscapes, nature, manifesting itself in the mysterious appearance of runes, elicits in the spectator an irrepressible desire to decipher the imagery. What is presented to us is not a puzzle but rather a miracle, at which we gaze in a trance-like state, losing ourselves in the experience and dissolving our ego.

Whitney Museum of American Art: "This portrait of Arshile Gorky and his mother is based on a photograph taken in Armenia in 1912, when the artist was just a child. Three years later, during the Ottoman Turk campaign of Genocide against the Armenians, Gorky, his mother, and his younger sister all survived a death march, but his mother never recovered her health. She died in 1919 from starvation. The following year, the fifteen-year-old Gorky immigrated to the United States with his sister. Gorky, however, did not simply copy the photograph, but painted a meditation on remembrance: the white apron worn by Gorky’s mother makes her appear statue-like, and other areas of the painting seem, like memory itself, unfinished and mutable. The figures’ searching gazes lend the composition psychological intensity, eliciting sympathy yet avoiding outright pathos or sentimentality."

Tigran Tsitoghdzyan: "This painting is the mirror of Armenian society."