Narek Avetisyan: "Even the historical and cultural memory can subconsciously manifest itself in the time and space. The latter is in the identity of art and it’s ephemeral. The form changes and is being exposed to modification. But the form is the “body” of art for me, therefore, even the modified "body" is an identity-content-harmony in itself.

So the creativity of art can be understood as a whole system, aestheticism and theory, the wholeness of art, paradigm of composition."

Shahen Khachatryan (Art critic): "The most typical feature of the variety of artistic expression of Ruben Adalyan’s works is the acute, influential line drawing which rings in tremendous power in the “Death Whirlpool” work dedicated to the Genocide."

The Armenian composer, singer, ethno musician, musicologist, archimandrite and teacher Komitas suffered a lot seeing the anguish of the Armenian nation. This characters is stamped as the symbol of the Armenian Genocide and many Armenian artists emphasized that symbol painting Komitas. Sarkis Muradyan’s Komitas dressed in red, the color of blood and the entrance of the Turkish officers with swords symbolize the upcoming bloody crime.

Nazaret Karoyan (Аrt critic): "Genocide therefore, was mostly a technological program and action. As such, it did not imply the sheer destruction of a group of people, the removal of all that related to their everyday life: eating (towel, table cloth, napkins), sleeping (tick, blankets, sheets), intimacy, dreams, all those open and secret subjects of everyday life that Bourdieu called habitus. The operation was not only directed to the destruction of the reproductive organs of a human collectivity, an entire race, but also the elimination of all signs, thus making impossible mourning itself and the words of mourning.

Sahak Poghosyan, by addressing genocide, deals with this situation. The point is not that there are no stories in this situation, but that it is impossible to talk, as such, about them. The painter seems to portray their weak whispers that eventually become silence by enmeshing the linear clearness and color brightness of fabrics and trimmings with a coating of paraffin."