Hakob Kodjoyan, The outstanding master of graphics and fine arts visited Ani in 1919, that was one of the oldest Armenian capitals, but in 1915 during the Armenian Genocide implemented by the Ottoman Turkey the Armenian nation was subjected to forced displacement from the fatherland. The ruins of Ani were left in the hands of the Turkish invaders. Kodjoyan, seeing the abandoned Ani, going through the ruin, filled with tragic feelings created the epic history canvas of "the Ruins of Ani".

Suren Safaryan touches upon the history destiny of the Armenian nation. This canvas is one of those works that compiles the elements of dynamic forms and fargeskala elements. The canvas is based on the artist’s reflections on the destiny of the Armenian nation and its future.

Moko Khacahtryan: "My spirit becomes wonderfully and uniquely noble and, out of nowhere, the sense of variability which has an inexplicable strength embraces me and gives my existence some mystery and makes me the hero of my paintings. This is where the probability of the impossible turns into reality. When I direct the process, only I can influence, change, give birth to or destroy this or that abstract character. When the color of black, with all its power, falls on the whiteness of my consciousness making it more luminous, it gives the paintings the shape of concealed purity. It gently and smoothly blends with the color of red, but it artfully gives in to the color that can swallow and destroy. Everything gets veiled with a single indefinite and shapeless gesture. Everything gets ruined in my eyes and I am in total confusion realizing that I am not right, that it is not me who directs them, but rather they do it. I humbly obey their demands and surrender to the power of the world being created where I am allowed to exist and fulfill my mission. They absorb my energy and power till the very last drop. And only when they get saturated, do they set me free – until the next time. This is the strongest ecstasy after which it takes you quite a time to return to the reality. But only then can I feel that I exist and breathe. I wish I could stay there forever. In this very unreality, which is sometimes more real than the reality itself, there exists the proximity to God which becomes a part of the fantastic world called art."

Nazaret Karoyan (Аrt critic): "Genocide and extermination as a crime against humanity and humanism are impossible to tell. It is impossible, not because it is difficult to picture events in fine arts, but since it is impossible to see and comprehend their terrible extent, it is impossible to open their countless and terrifying folds. Sahak Poghosyan in his project, while making substitutions between speech and image, hearing and vision, comes to say: – even if there are no forms to present what is indescribable and unimaginable, even if it is impossible to hear the words told by eyes, then, at least, one can materialize the silence accumulated in them to make visible what is inaudible."